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Open a larger version of the following image in a popup: Ilit Azoulay, Report 009: Sometimes I think I’m the story. Sometimes I think I’m just the footnote., 2026
Open a larger version of the following image in a popup: Ilit Azoulay, Report 009: Sometimes I think I’m the story. Sometimes I think I’m just the footnote., 2026 Installation view at Villa Stuck, 2026. Photo: Billie Sara Clarken.
Open a larger version of the following image in a popup: Ilit Azoulay, Report 009: Sometimes I think I’m the story. Sometimes I think I’m just the footnote., 2026 Installation view at Villa Stuck, 2026. Photo: Billie Sara Clarken.

Ilit Azoulay

Report 009: Sometimes I think I’m the story. Sometimes I think I’m just the footnote., 2026
Inkjet print, MDF and metal frame
193 x 179 cm
Edition of 2 + 1 AP
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Further images

  • (View a larger image of thumbnail 1 ) Ilit Azoulay, Report 009: Sometimes I think I’m the story. Sometimes I think I’m just the footnote., 2026
  • (View a larger image of thumbnail 2 ) Ilit Azoulay, Report 009: Sometimes I think I’m the story. Sometimes I think I’m just the footnote., 2026
  • (View a larger image of thumbnail 3 ) Ilit Azoulay, Report 009: Sometimes I think I’m the story. Sometimes I think I’m just the footnote., 2026
Report 009: Sometimes I think I’m the story, sometimes I think I’m just the footnote occupies a central position within the project as a condensed reflection on how narratives are...
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Report 009: Sometimes I think I’m the story, sometimes I think I’m just the footnote occupies a central position within the project as a condensed reflection on how narratives are formed, displaced, and inhabited. Bringing together fragments of historical imagery, objects, and constructed space, the work stages memory not as a fixed account but as a shifting constellation in which elements compete for visibility and meaning. The question of whether one is central or peripheral, story or footnote, remains unresolved, mirroring the broader logic of the project where remembering is understood as a dynamic, relational process.


The work offers a point of entry into this open field: a site where personal identification and historical material intersect, and where meaning emerges through the act of looking, assembling, and reinterpreting.


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Exhibitions

"No Single View", solo exhibition at Villa Stuck Museum, Munich, 2026.
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